English Literature Poetry Important Question-Answers (Objective Type)
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English Literature Poetry Important Objective Type Question Answers
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100 + Objective Important Question-Answers – Poetry in English Literature
- The pilgrimage in The Canterbury Tales: General Prologue is - A journey to the shrine of Thomas Becket in Canterbury.
- The Knight in The Canterbury Tales is - A chivalrous, honorable warrior with battle experience.
- The Prioress in The Canterbury Tales is - A nun overly concerned with manners and appearance.
- The Wife of Bath in The Canterbury Tales is - A bold, experienced woman advocating for female sovereignty.
- The narrator in The Canterbury Tales is - Geoffrey Chaucer, observing as a pilgrim.
- The Redcrosse Knight in The Faerie Queene is - A symbol of holiness, representing St. George.
- Una in The Faerie Queene is - An embodiment of truth and the true Church.
- Archimago in The Faerie Queene is - A deceitful sorcerer symbolizing hypocrisy.
- The Faerie Queene in The Faerie Queene is - A figure representing Queen Elizabeth I and glory.
- The dragon in The Faerie Queene is - A symbol of sin defeated by Redcrosse.
- Astrophil in Sonnet 1 (Astrophil and Stella) is - A poet struggling to express true love through verse.
- Love in Sonnet 2 (Astrophil and Stella) is - A gradual, consuming force, not instant.
- The eyes in Sonnet 5 (Astrophil and Stella) are - Servants of the heart, tempted by beauty.
- The moon in Sonnet 31 (Astrophil and Stella) is - A symbol of Astrophil’s melancholic envy.
- Sleep in Sonnet 39 (Astrophil and Stella) is - A refuge from Astrophil’s tormented love.
- The beloved in Sonnet 18 (Shakespeare) is - A figure more lovely and temperate than a summer’s day.
- The heart in Sonnet 24 (Shakespeare) is - A canvas painting the beloved’s image.
- Venus in Venus and Adonis is - A passionate goddess pursuing unrequited love.
- Adonis in Venus and Adonis is - A young man rejecting Venus’s advances.
- The boar in Venus and Adonis is - A destructive force causing Adonis’s death.
- The flea in The Flea is - A conceit uniting the lovers’ blood in intimacy.
- The compass in A Valediction: Forbidding Mourning is - A symbol of spiritual connection between lovers.
- The soul in The Ecstasy is - A force transcending physical love in union.
- Love in The Good Morrow is - A transformative power completing the lovers’ world.
- The tone in The Flea is - Witty and persuasive, masking seduction.
- Satan in Paradise Lost (Book I) is - A defiant, prideful leader of fallen angels.
- Pandemonium in Paradise Lost is - The capital of Hell built by demons.
- Hell in Paradise Lost is - A fiery, eternal prison of torment.
- Beelzebub in Paradise Lost is - Satan’s loyal second-in-command.
- The epic invocation in Paradise Lost is - A call to the Muse to justify God’s ways.
- Time in To His Coy Mistress is - A winged chariot urging immediate love.
- The speaker in To His Coy Mistress is - A lover persuading his mistress to seize the day.
- The mistress in To His Coy Mistress is - A coy woman resisting the speaker’s advances.
- The grave in To His Coy Mistress is - A place where love cannot be consummated.
- The tone in To His Coy Mistress is - Urgent and passionate, emphasizing carpe diem.
- Absalom in Absalom and Achitophel is - A figure for Monmouth, rebelling against the king.
- Achitophel in Absalom and Achitophel is - A cunning advisor representing Shaftesbury.
- David in Absalom and Achitophel is - A symbol of King Charles II’s authority.
- The satire in Absalom and Achitophel is - A critique of political rebellion.
- The form in Absalom and Achitophel is - A heroic couplet narrative with biblical allegory.
- Belinda in The Rape of the Lock is - A vain heroine whose lock is stolen.
- The sylphs in The Rape of the Lock are - Airy spirits protecting Belinda’s beauty.
- The Baron in The Rape of the Lock is - A suitor who cuts Belinda’s lock.
- The mock-epic in The Rape of the Lock is - A style elevating trivial events to epic status.
- The card game in The Rape of the Lock is - A symbolic battle of social rivalry.
- Ambition in The Vanity of Human Wishes is - A futile pursuit leading to ruin.
- Wolsey in The Vanity of Human Wishes is - A cardinal exemplifying fallen power.
- The tone in The Vanity of Human Wishes is - Somber and moralistic, urging divine trust.
- The form in The Vanity of Human Wishes is - Heroic couplets imitating Juvenal’s satire.
- Happiness in The Vanity of Human Wishes is - An elusive goal thwarted by human folly.
- Nature in Tintern Abbey is - A restorative force for spiritual renewal.
- Dorothy in Tintern Abbey is - Wordsworth’s sister, a companion in nature’s joy.
- Childhood in Ode: Intimations of Immortality is - A state of divine, celestial vision.
- The “celestial light” in Ode: Intimations is - The spiritual insight lost with age.
- Memory in Ode: Intimations is - A source of comfort amid life’s losses.
- The albatross in The Rime of the Ancient Mariner is - A symbol of nature killed by the Mariner.
- The Mariner in The Rime is - A cursed sailor redeemed through repentance.
- The water-snakes in The Rime are - A trigger for the Mariner’s blessing and redemption.
- The moral in The Rime is - A call to love all of God’s creatures.
- The specter-ship in The Rime is - A supernatural force bringing death.
- The West Wind in Ode to the West Wind is - A force of destruction and poetic inspiration.
- The speaker in Ode to the West Wind is - A poet seeking to spread revolutionary ideas.
- The skylark in To a Skylark is - A joyous spirit embodying pure song.
- Inspiration in To a Skylark is - A desire to emulate the skylark’s transcendence.
- The tone in Ode to the West Wind is - Prophetic and impassioned.
- The nightingale in Ode to a Nightingale is - A symbol of immortal beauty and escape.
- The urn in Ode on a Grecian Urn is - A timeless object equating beauty with truth.
- Autumn in To Autumn is - A season of ripeness and serene abundance.
- Death in Ode to a Nightingale is - A tempting release from human suffering.
- The tone in To Autumn is - Calm and accepting of life’s cycles.
- The lotus in The Lotus Eaters is - A drug inducing apathy and escape.
- Ulysses in Ulysses is - A restless hero seeking new adventures.
- Grief in In Memoriam A.H.H. is - A journey toward faith and acceptance.
- Hallam in In Memoriam is - Tennyson’s friend mourned in the elegy.
- The tone in Ulysses is - Defiant and aspirational despite age.
- The Duke in My Last Duchess is - A jealous, possessive, and controlling nobleman.
- The lover in The Last Ride Together is - A man accepting unrequited love.
- The mistress in The Lost Mistress is - A woman valued as a friend after rejection.
- The monologue in My Last Duchess is - A revelation of the Duke’s jealousy.
- The tone in The Last Ride Together is - Bittersweet and reflective.
- The sea in Dover Beach is - A symbol of retreating faith.
- The scholar-gipsy in The Scholar-Gipsy is - An ideal of freedom and purpose.
- The tone in Dover Beach is - Melancholic, lamenting lost certainty.
- The Oxford countryside in The Scholar-Gipsy is - A romantic, pastoral setting.
- Love in Dover Beach is - A refuge amid a faithless world.
- The damozel in The Blessed Damozel is - A heavenly figure longing for her lover.
- The portrait in The Portrait is - An enduring image of a lost beloved.
- Heaven in The Blessed Damozel is - A vivid, sensual afterlife.
- The tone in The Portrait is - Nostalgic and mournful.
- The imagery in The Blessed Damozel is - Pre-Raphaelite, rich and detailed.
- The “rough beast” in The Second Coming is - A symbol of chaotic change.
- Maud Gonne in When You Are Old is - Yeats’s unrequited love, urged to reflect.
- The daughter in A Prayer for My Daughter is - A figure for whom Yeats prays for virtue.
- The tone in The Second Coming is - Apocalyptic and ominous.
- The tone in When You Are Old is - Tender and regretful.
- The Waste Land is - A fragmented, spiritually barren modern world.
- Prufrock in The Love Song of J. Alfred Prufrock is - A hesitant, self-conscious man fearing rejection.
- The mermaids in The Love Song of J. Alfred Prufrock are - A symbol of unattainable beauty.
- The tone in The Waste Land is - Desolate and fragmented.
- The Fisher King in The Waste Land is - A wounded figure symbolizing barrenness.
- The central concern of In Memory of W. B. Yeats is - How poetry endures beyond the life of the poet.
- The imagery in The Shield of Achilles is used to question - The brutality of modern warfare versus classical heroism.
- Daddy explores - The psychological struggle of a daughter with patriarchal oppression and personal trauma.
- The recurring theme in Lady Lazarus is - The poet’s defiance against death and societal expectations through resurrection imagery.
- The elegiac tone in When Lilacs Last in the Dooryard Bloom’d mourns - The death of Abraham Lincoln and the national trauma of war.
- Crossing Brooklyn Ferry emphasizes - The shared human experience across time and space.
- Because I Could Not Stop for Death presents - Death as a courteous and inevitable guide through life’s end.
- Success is Counted Sweetest suggests - The value of success is most deeply understood by those who fail to attain it.
- I Taste a Liquor Never Brewed celebrates - The ecstasy and intoxication of nature and the imagination.
- Night of the Scorpion contrasts - Superstition and maternal self-sacrifice in rural Indian society.
- Goodbye Party for Miss Pushpa T.S. satirizes - The artificial politeness and cultural quirks of Indian-English social gatherings.
- The Patriot critiques - Blind nationalism and the disillusionment of patriotic fervor.
- The Professor reflects - The comic and poignant realities of aging and generational change in postcolonial India.
- The Freaks explores - Emotional alienation and unfulfilled intimacy in a patriarchal marriage.
- A Hot Noon in Malabar evokes - Nostalgia and longing for a childhood steeped in the sensory richness of Kerala.
- The Sunshine Cat depicts - A woman’s emotional entrapment and resistance in a loveless marriage.
- The Looking Glass invites - Women to embrace their sexuality and assert their identity without shame.
- The theme of transformation in Lady Lazarus is conveyed through - The metaphor of rising from death like a phoenix.
- In Memory of W. B. Yeats asserts - That poetry survives through changing times and contexts.
- The Shield of Achilles uses myth to - Criticize the loss of moral vision in contemporary society.
- Plath's use of Holocaust imagery in Daddy serves to - Dramatize the intensity of her personal trauma and anger.
- Whitman’s use of nature in When Lilacs Last in the Dooryard Bloom’d symbolizes - The eternal cycle of death and renewal.
- Crossing Brooklyn Ferry demonstrates - How urban landscapes can foster spiritual and existential reflection.
- Because I Could Not Stop for Death employs personification to - Present death as a gentle, unavoidable companion.
- Night of the Scorpion illustrates - The clash between rationality and superstition in traditional societies.
- The Professor satirizes - The aspirations and peculiarities of India’s middle-class English speakers.
- The Patriot shows how - Idealism can be manipulated and ultimately disillusioned.
- The Freaks uses fragmented syntax to - Mirror emotional disconnection and the inner turmoil of the speaker.
- The Sunshine Cat ends with - The protagonist’s passive rebellion through withdrawal from love and submission.
- The Looking Glass challenges - Gender roles and the expectations placed on female beauty and desire.
- The Canterbury Tales: General Prologue employs satire to - Critique the corruption and hypocrisy within medieval society and the Church.
- The Faerie Queene uses allegory to - Represent the moral and political ideals of Elizabethan England.
- In Sonnet 1, Sidney explores - The poet’s self-conscious struggle between sincerity and artifice in courtly love poetry.
- Sonnet 31 by Sidney reflects - A melancholic projection of unrequited love onto the moon, symbolizing isolation and despair.
- Shakespeare’s Sonnet 18 immortalizes - The beloved’s beauty through the eternal power of poetry.
- In Venus and Adonis, Shakespeare reimagines - Classical myth to explore the dynamics of lust, rejection, and mortality.
- The Flea by Donne uses a witty conceit to - Argue for physical union by trivializing the boundaries of chastity and propriety.
- A Valediction: Forbidding Mourning presents - Spiritual love as transcending physical presence and separation.
- Paradise Lost Book I depicts - Satan as a complex, heroic-turned-tragic figure embodying rebellion and ambition.
- To His Coy Mistress compresses - Time and mortality into a passionate argument for seizing present pleasures.
- Absalom and Achitophel uses biblical allegory to - Critique political dissent and justify monarchy during the Exclusion Crisis.
- The Rape of the Lock satirizes - The trivialities of aristocratic life through epic conventions and mock-heroic tone.
- The Vanity of Human Wishes reflects - The futility of ambition and desire in a world governed by fate and divine judgment.
- Tintern Abbey explores - The restorative and spiritual power of nature over memory and personal growth.
- The Rime of the Ancient Mariner conveys - The burden of guilt and the redemptive power of respect for nature.
- Ode to the West Wind channels - The poet’s yearning for transformation and revolutionary inspiration through natural forces.
- Ode on a Grecian Urn interrogates - The relationship between art, truth, and timeless beauty.
- Ulysses reflects - The restless human spirit's desire to seek meaning through perpetual striving and adventure.
- Dover Beach laments - The erosion of faith and certainty in a modern, disenchanted world.
- The Waste Land critiques - The spiritual and cultural fragmentation of post-war modernity through a collage of voices and allusions.
- The phrase “And miles to go before I sleep” in Stopping by Woods on a Snowy Evening signifies - The burdens of duty and life’s journey before death.
- “Rough beast” in Yeats’s The Second Coming symbolizes - The chaotic, violent birth of a new, terrifying era.
- “Thou still unravish’d bride of quietness” in Keats’s Ode on a Grecian Urn reflects - The paradox of eternal beauty and emotional stasis in art.
- The Waste Land is pivotal in modernist literature for - Its fragmented structure, mythic method, and critique of modern disillusionment.
- The Scholar-Gipsy idealizes - A life of imagination and timeless wisdom over modern industrial despair.
- “Time’s wingèd chariot” in Marvell’s To His Coy Mistress metaphorically urges - The carpe diem theme of acting before life’s inevitable end.
- Paradise Lost introduced into English literature - The use of blank verse in epic poetry with philosophical and theological depth.
- The conceit of the compass in Donne’s A Valediction illustrates - Emotional fidelity and spiritual unity in physical separation.
- The Rape of the Lock introduced - The mock-epic as a satirical form blending grandeur with triviality.
- Sonnet 18 exemplifies - The Shakespearean sonnet form with its structured volta and closing couplet of resolution.
- “The Child is father of the Man” in Wordsworth's poetry asserts - The formative power of childhood in shaping adult consciousness.
- “Beauty is truth, truth beauty” in Ode on a Grecian Urn encapsulates - The Romantic belief in the inseparability of aesthetic and philosophical insight.
- The Vanity of Human Wishes is notable for - Being the first major satire in heroic couplets since Pope’s time.
- My Last Duchess is a key example of - The dramatic monologue revealing psychological depth and social critique.
- Venus and Adonis is significant for - Its blend of eroticism and classical myth through lyrical narrative.
- Ode: Intimations of Immortality explores - The loss of visionary childhood perception and the mature recovery of meaning.
- With how sad steps, O Moon uses the moon to - Mirror the speaker’s feelings of unrequited love and melancholy introspection.
- The Ecstasy by Donne presents - A metaphysical argument that true love is the union of minds and souls beyond the physical.
- Tintern Abbey introduced - The concept of “spots of time,” moments of deep emotional and philosophical insight in nature.
- The Blessed Damozel reflects - Pre-Raphaelite ideals of spiritualized love, medievalism, and ethereal beauty.
- The Canterbury Tales: General Prologue is structured as - A frame narrative introducing 29 pilgrims on their storytelling journey to Canterbury.
- The Faerie Queene by Spenser was published - In parts (Books I–III in 1590 and IV–VI in 1596) and intended as 12 books of moral allegory.
- Philip Sidney’s Astrophil and Stella is composed of - 108 sonnets and 11 songs expressing unrequited love in Petrarchan tradition.
- Shakespeare’s Venus and Adonis is classified as - A narrative poem published in 1593, focused on desire and rejection in classical myth.
- Donne’s The Good Morrow exemplifies - The metaphysical conceit by blending sensuality with intellectual abstraction.
- Paradise Lost Book I opens with - Satan and the fallen angels in Hell, planning their revenge on God.
- Marvell’s To His Coy Mistress is written in - Rhymed couplets, forming a syllogistic structure of argument, reflection, and persuasion.
- Dryden’s Absalom and Achitophel is based on - A biblical allegory reflecting the political context of the Exclusion Crisis (1681).
- Pope’s The Rape of the Lock includes - Five cantos and a mock-epic battle of sylphs, tea, and vanity over a stolen lock of hair.
- Samuel Johnson’s The Vanity of Human Wishes was published - In 1749 as a moral satire in heroic couplets on the futility of worldly pursuits.
- Wordsworth’s Tintern Abbey is a - Lyrical meditation on nature, memory, and moral insight structured as a dramatic monologue.
- Ode: Intimations of Immortality deals with - The theme of spiritual loss and recollection through a Pindaric ode structure.
- Coleridge’s The Rime of the Ancient Mariner uses - A ballad form to convey guilt, punishment, and redemption through a supernatural voyage.
- Shelley’s Ode to the West Wind ends with - The poet’s plea to be reborn as a voice of prophecy and change.
- To a Skylark celebrates - The bird’s transcendent, unseen joy as a metaphor for the poet’s aspirations.
- Keats’s Ode on a Grecian Urn is structured - In five stanzas of ten lines each, using a modified ode form and rich imagery.
- To Autumn by Keats is praised for - Its sensuous imagery and reflection on ripeness, time, and seasonal transience.
- Tennyson’s The Lotus Eaters contrasts - Heroic duty with seductive indolence in a lyrical choric form.
- Ulysses by Tennyson is a - Dramatic monologue revealing existential restlessness and the heroic spirit of exploration.
- In Memoriam A.H.H. spans - 131 sections reflecting personal grief, religious doubt, and faith after the death of Arthur Hallam.
- Browning’s My Last Duchess introduces - The unreliable narrator in a dramatic monologue to explore power and control in marriage.
- The Last Ride Together uses - A dramatic monologue to reflect on love, fate, and acceptance of romantic failure.
- The Lost Mistress is significant for - Capturing emotional transition from passion to resignation in a subdued, conversational tone.
- Arnold’s Dover Beach is notable for - Its melancholic tone and philosophical meditation on lost faith in the modern world.
- The Scholar-Gipsy romanticizes - The Oxford legend of a scholar who abandons academia for a wandering life of truth-seeking.
- Rossetti’s The Blessed Damozel blends - Medieval imagery and spiritual yearning with Pre-Raphaelite ideals of ethereal love.
- The Portrait by Rossetti emphasizes - Artistic obsession and memory as a means to preserve idealized female beauty.
- The Second Coming reflects - Yeats’s theory of history as gyres and the imminent collapse of Christian civilization.
- A Prayer for My Daughter laments - A chaotic post-war world while expressing hope for innocence, rootedness, and virtue.
- The Love Song of J. Alfred Prufrock pioneered - Stream of consciousness and internal monologue in modernist poetry with themes of paralysis and alienation.
1. Geoffrey Chaucer
- The Canterbury Tales: General Prologue
- The Faerie Queene
- Sonnet 1: "Loving in truth, and fain in verse my love to show"
- Sonnet 2: "Not at first sight, nor with a dribbed shot"
- Sonnet 5: "It is most true that eyes are formed to serve"
- Sonnet 31: "With how sad steps, O Moon, thou climb’st the skies"
- Sonnet 39: "Come Sleep! O Sleep, the certain knot of peace"
- Sonnet 18
- Sonnet 24
- Venus and Adonis
- The Flea
- A Valediction: Forbidding Mourning
- The Ecstasy
- The Good Morrow
- Paradise Lost (Book I)
- To His Coy Mistress
- Absalom and Achitophel
- The Rape of the Lock
- The Vanity of Human Wishes
- Tintern Abbey
- Ode: Intimations of Immortality
- The Rime of the Ancient Mariner
- Ode to the West Wind
- To a Skylark
- Ode to a Nightingale
- Ode on a Grecian Urn
- To Autumn
- The Lotus Eaters
- Ulysses
- In Memoriam A.H.H.
- My Last Duchess
- The Last Ride Together
- The Lost Mistress
- Dover Beach
- The Scholar-Gipsy
- The Blessed Damozel
- The Portrait
- The Second Coming
- When You Are Old
- A Prayer for My Daughter
- The Waste Land
- The Love Song of J. Alfred Prufrock
- In Memory of W. B. Yeats
- The Shield of Achilles
- Daddy
- Lady Lazarus
- When Lilacs Last in the Dooryard Bloom’d
- Crossing Brooklyn Ferry
- Because I Could Not Stop for Death
- Success is Counted Sweetest
- I Taste a Liquor Never Brewed
- Night of the Scorpion
- Goodbye Party for Miss Pushpa T.S.
- The Patriot
- The Professor
- The Freaks
- A Hot Noon in Malabar
- The Sunshine Cat
- The Looking Glass
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